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5 Burns pt 1.

Last year after Burning Man, I promised to write and to tell the tale of all the things that I had learned on that voyage, and indeed it was a lot.  Unfortunately, I was bogged down by 4000 or so pictures taken on iso 1600, so they all looked extremely funky and noisey.  I am still planning on editing them, but the best laid plans, you know.

This year, even though I am still on the road, I will attempt to write about the trip.  But first, some background.

Me and the Burns.

Burn #1.  I went to my first Burning Man in 2003 with my ex-girlfriend.  She and I had just broken up 6 months or so prior and after the appropriate length of wound licking, we were ready to hang out together.  It sounds cheesy and clique, but from the second that I arrived at that opening gate I knew I was home.

I am not a community person, I squik about group dynamics, I see how people try to alienate and exile each other before I see anything else.  I never did clubs, nor associations, I just -didn’t- like groups, so it really meant something to feel like I actually belonged there.

I remember many moments from that first burn, far too many to succinctly recall in one post.  (especially one summarizing five burns).  The first night me and Rhie decided to walk around the esplanade, we came up to a guy who asked if I wanted to ride an elevator.  It was night, and all the camps were brightly lit and this ride would have let me see them all.

I wanted to accept but something kept me from it.  This feeling like inside me saying, “no, I couldn’t”, which was the polite side.  Deeper inside was this notion, this feeling of exchange, this cynical, “What do you want for it?” reaction.  And that was the first taste I had of the gift economy.  It is not barter, it is not trade, it is not a one to one back scratch deal.  It is a gift.  It blew my mind, how deeply cynical I was, how I immediately went to, what the fuck do you want from me, head space.

The rest of Burn 1 was devoted to falling in love, which is a story in its own right.  A friend of a friend who I already cared and trusted re-met me at the Burn and we spent most of the week falling hard for each other, kissing, talking, riding our bikes and looking at art until dawn, passing out re-finding each other and starting all over again.  We walked through giant chandeliers that had fallen from the sky and told each other we loved each other standing on the platform of a giant house of cards.

I left that Burn feeling amazed at the whole experience.  It is not just the art, it is not just the city, it is not just the fact that the line between the audience and performer was blended beyond recognition.  It we the Brigadoon quality of the thing, a city pops up and becomes dust in a manner of a few weeks and it all exists because the people make it so.  It is the pathway for all amateur engineers to make their visions happen without having to apply for a permit.  All art can exist without finding a gallery to represent.  All singers who want to sing, whipping out their instruments and just making it happen.

Coming down was strange and hard.  Back in the economy where all exchanges are managed and weighed and given a pre-determined value.  I was unloading a truck and one of my campmates neighbor kept asking how long our water bottles were going to be on the yard that abutted his yard.  Like asked 5 or so times and each time looking for some kind of leverage to get me the fuck away from his lawn.  Not even on it, near it, making his car look ugly for an hour or two.  I knew instantly which world was my preferred home.

Picturing the Recession

[caption id="attachment_65" align="aligncenter" width="500" caption="Recession Special! by ~Boston Bill~"]Recession Special! by ~Boston Bill~[/caption]

The New York Times recently asked readers to submit pictures of the recession for their piece, Picturing the Recession. Photographers from all over the world submitted photographs showing how the world wide economic crisis was hitting home. There are pictures of swap meets in Bangladesh, pictures of the stunted housing boom in Australia, pictures of all sorts of businesses closing shop. There are even pictures of 99 cent stores liquidating assets for 69 cents.

The compilation is really quite amazing. I never feel like I can really understand the scale just looking at my town and what businesses are failing here. Seeing the stores fold over and over and over again helps show what is happening in more broad context, regionally, nationally, internationally.

The pictures show more than just desolation. They show cultural shifts, people starting their vegetable gardens, people beginning to raise backyard chickens for eggs, and people baking bread at home with a copy of Michael Pollan’s book “The Omnivore’s Dilemma” hanging out in the background. People who are essentially trying to survive by reclaiming their food from the food industry.

Photographers who feel inspired can still try to submit photos to the NYT here. And of course there is a flickr group gathered to share photos based on the recession, the Economic Clusterf*ck (aka Recession) of 2008-9.

All eyes are on the cute chicks.

They are so cute when they are young.

Spring is officially here, and with Spring comes baby chick season. It seems like it was only yesterday when my full grown hens were just tiny little balls of down peeping their fool heads off. What I remember about raising them, from little two day old chicks, was how fast they grew up. The way the feathers would practically shoot out and before I knew it, and suddenly I had three pullets desperate to escape the brooder.

I remember being fascinated, watching all those feathers come in. First on the very tip of the wing and a tiny little tuft on the butt. How cool it would be to document that growth.

The good news is that some people already are. Right now there is a photoblog charting every day of chicken growth called 3 chix a day. It is definitely worth checking out to see this very quick body progression.

The Woodstock Farm and Animal Sanctuary currently has a baby chick webcam operating. Other than providing a stream of chick video, the site hopes to curb classroom hatching projects by providing a safe alternative information source, instead of hatching babies in classrooms when there is no home for the eventual pullets. Their stance on hatching projects can be found here.

And if that is not enough baby chick goodness, well, there is always flickr. Here is one more for the road.

The Most Awesome thing to cross my path.

It started out as a joke, and the joke created a demand. Thinkgeek is trying to produce a Tauntaun sleeping bag. I personally hope that they start to offer adult sizes for all us grown up geeks. I could fit in a 60 inch tall bag, but really I would hope for more room than that.

Definitely check out the thinkgeek page here, and you will have to appreciate the lining on the inside of the bag, a delightful little print of intestines, so you could almost approximate that feeling of being cuddled by intestine-y warmth. I suppose asking for life-like feeling goo to lube the intestines would be too gross.

Jim Cramer interview with Jon Stewart

Sorry for posting all three videos right here.  I could have posted one video which would have been the full episode of the daily show, I chose instead to post the three sections of the unedited videos, care of Comedy Central.

Rarely do any interviews in this modern TV landscape take up the entire length of a show, but in this case the interview was pertinent and timely.  Jim Cramer, the host of CNBC’s entertainment-finance show Mad Money, came on to The Daily Show for an interview about the economy.  Like Stewart’s famous appearance on Crossfire, the dialog of the Cramer interview focused on the role of the media as it disseminates information.  Or rather, the assumption that television news shows are supposed to be reporting facts instead of just entertaining viewers with hacked together press releases and statistics of dubious origin.

Stewart has been able to press this point in the past as The Daily Show keeps receiving critical acclaim.  It is the fake news show that more and more people in mass culture use to get their “actual” news.  The Daily Show has even turned into a meta-news show where you can get the news of the day and your criticism of media at large.  It is a refreshing idea, to pull the camera back far enough to see the spin doctors at work, but the larger questions loom: Why is this the responsibility of a comedy show?  Isn’t critical thinking an important enough idea to support a “serious” media endeavor?  There are attempts to tap into this vein of legitimacy, the no spin zone, etc.  But most of those shows are a shallow effort to profit from a deeper hope.

Some of the concepts touched on in the interview reminded me of a fictional detective novel, The Girl with the Dragon Tattoo, by the late Stieg Larsson.  The main character Blomkvist is a financial reporter in Sweden.  There were a number of passages where he contemplates the nature of the writing about the financial industry.  The argument was postulated that Investigative Journalism was at best genre specific, that for example, in politics it is accepted that a political figure would be investigated and exposed publicly, but in business, writing “news” comes down to regurgitating a company’s press releases or annual reports.  It seems like only during these times of Ponze schemes and economic meltdown do we see the world of closely guarded business practices smacking up against freedom of information needs.

In both the Stewart interview and Larsson’s book it is asked why business reporting should be treated as different from any other kind of critical thinking investigative reporting.  The interview shows Cramer’s complicit behavior as well as the “I am just passing along the info” pundit strategy.  This wall ultimately falls apart when Stewart asks him to go back to the basics of investigation rather than blindly believing the “facts” as they have been handed over.  Wherever one is on the political perspective, it is hard to argue against basic fact-checking when building an argument.